Linguistic performance turnover and phenomenology in perspective

Abstract

In this article, we outline a proposal to approach the linguistic turn of performance with the method of

scientific investigation or phenomenological epistemological paradigm. In fact, we launch a substantive

hypothesis based on possible correlations between the plans considered in the aforementioned proposition

of an epistemological nature. These supposed correspondences may be confirmed or invalidated in the

final considerations of this work. We investigate the possible interfaces between the spheres under study

through the analytical-descriptive method based on a literature review. The Musical Imagination, represented

by the phenomenon of the creative impulse of the Creative Process (“poíesis”) embodied in the musical

improvisation verifi ed in music making or sound making, is permeated by the sphere of the Linguistic Turn of

Performance in a reciprocal, collaborative, and mutual way with the aim of to promote artistic-cultural action

in its linguistic-communicative integrality.

Keywords: Phenomenology. Linguistic turn of the performance. Musical Imagination. Creative Process

(“poíesis”). Music making.